This was the erstwhile NYE party, post-Graham. Apparently the band didn't really miss the craziness of the NYE gigs but the Heads sure did; one of several an-era-has-ended signals. It was the last of 5 shows, that made up for NYE with a long run and encore surprises. If you take the 1st set from the day before and this 2nd set, you'd have best show of the run and maybe the best of Fall '92. The 1st set is weirdly short @45mins but the 2nd is over 2hrs. Note covers of the Stones, Beatles and The Who, 3 of the 4 great UK 60s bands. The only thing missing is The Kinks!
First Set. Though starting perfunctory, they tighten by
Loser, if lacking energy.
So Many Roads is clunky, as usual - it should have been nailed by now. The drummers have no piece of the arrangement so they're just comping.
Music Never Stopped may not excite but Vince is good here.
Second Set. The top of this set is one of the highlights of the run (though it was left off the official release).
Scarlet has fine work from Jer and the whole band takes
Fire to x-factor. The energy gained is abandoned for the next few.
Corrina is such a half-developed, montone vamp that it's hard to tell good from bad, but they are back on...but then off again for
Uncle John's. How does the song go indeed, flailing about and crashing the set's momentum. The
Playin' reprise is solid and it's a major, half-hour
Drums>Space. The third of the returned
Here Comes Sunshines has Jer losing the thread, skipping to the 3rd verse then repeating the 1st, and the band playing scattered. Jer makes up for it in
Throwing Stones, but not the rest of the boys, and it's very shoes-in-dryer.
Baba O'Riley is probably a top version - probably.
Tomorrow Never Knows gets by but the opening vox - Ouch! It interpolates Talking Heads (fat chance that Bobby or Jer actually knew this).
1st Set: D+
2nd Set: B-
Overall = 2½ stars (2 + ½ for the Scar>Fire)
Highlights:
Scarlet Begonias - Jer's best work
Fire on the Mountain - probably the best of '92
Baba O'Riley - maybe best of '92
SOURCES:
stonebear.5552 seems best though there's a cut between Drums>Space and a dropout in Space @17:24. The last four tracks are on
Dick's #27 (the gods know why - the sequence novelty perhaps?).