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Carrion_Crow
Stealth Head
+49627
Submissions
2
Samson and Delilah
Oct. 15, 1976
Shrine Auditorium
Lickety split drummer precision here and a stylin' strut in the heart of a great 2nd set.
2
Mama Tried
Oct. 15, 1976
Shrine Auditorium
Solid shitkicker. "As usual, dedicated to our equipment crew". Lol, Bobby.
3
Might As Well
Oct. 15, 1976
Shrine Auditorium
Great party starter. This song always signals good time ahead.
1
Looks Like Rain
Oct. 14, 1976
Shrine Auditorium
Sweet slow buildup to an explosion of emotion and Jer's flying guitar work. A strong version.
2
Pretty Peggy O
Oct. 14, 1976
Shrine Auditorium
Powerful version. Is the only reason it's not yet here because only AUDs exist? Jeez Heads, get it together!
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Comments
Feedback
Feb. 11, 1969
Fillmore East
Tight short tweeky feedback to close out the Caution jam in top form. Everyone sounds in on it, including rare Tom. Fun stuff that sounds very freaky even now, 50+ years later.
Caution
Feb. 11, 1969
Fillmore East
I don't always think "coherent" when I think of Caution. I love it for its out-of-control spinning like a lopsided top, but this one is a strong singular statement of intensity and hard shredding before it tips over into tweaky feedback. Like the Dark Star earlier in the set they seemed to hold it in throughout this killer set, and the result is tight, strong showing of the legendary '69 sound.
The Eleven
Feb. 11, 1969
Fillmore East
This has to be one of the most up-tempo versions they ever played, and they skipped the lyrics, but so what. (Sounds like they're looking to drop them in around minute four, but they hit the kick into the blues groove instead). Keeping 11/8 groove going like this is no mean feat, they just slay it every which way. Powerful stuff from '69.
St. Stephen
Feb. 11, 1969
Fillmore East
Moves along nicely until they find the turbo button and it then it gets shot out of the cannon and gears up brilliantly for the last verse and WTO>11.
Mountains of the Moon
Feb. 11, 1969
Fillmore East
Beautiful, subtle, great mix cleanup on the box set version. Phil's steady pulse underscores Tom's gentle keys, and Jerry sings like an angel. It really doesn't get better than this according to this old Carrion Crow.
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