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Carrion_Crow

Stealth Head

+49627


Submissions

2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
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Comments

Might As Well
May 1, 1977
The Palladium

Cogent, purposeful solos and high-octane vocals over this totally switched-on show opener. And when they opened with Might As Well it always felt like they meant business and were ready to start the party.
Not Fade Away
April 30, 1977
The Palladium

In the second half Jerry flips a switch and becomes the swamp thing. He chases you around the bayou in a filthy filthy jam before scrubbing right up and switching back from the demonic to the angelic for >Stella. If this doesn't get you moving you should check your pulse.
St. Stephen
April 30, 1977
The Palladium

Tight first-half, nice melodious harmonies, and a forward-moving muscular pulse that distinguishes it from some of the slower sleepy and (let's admit) sloppier 'second-era Stephens'. Plus the sandwich is freaking cool. The NFA is hot shit, and the Stella-in-the-Middle>reprise is totally unexpected. Part of a brilliant second set that just goes bonkers from note one.
Mississippi Halfstep Uptown Toodeloo
April 30, 1977
The Palladium

Screamingly good jam before the Ri-o Grande out-chorus that amps up and up and up. It will transport you through time if you let it. And then it does it again, and you can float downriver all the way back home. This one took the lucky heads in attendance very far out and back and it may just be my new favorite ever. Jerry's melodicism and solo ideas are precise, virtuosic and perfect, and Keith, when he kicks in towards the end will steal your face. Just put it on repeat, it's that good.
Pretty Peggy O
April 30, 1977
The Palladium

Not always the first song I look for in a setlist, but this one stands out and deserves the praise heaped on it here. Jerry's vox and soloing is sublime.
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