headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

7
Box of Rain
Nov. 15, 1972
Oklahoma City Music Hall

Having held "sing something Phil" banners, I always had a soft spot for BoR. This one is tightly played and powerfuly sung. Good stuff!
3
Uncle John's Band
Nov. 14, 1972
Oklahoma City Music Hall

Hard rockin' version coming after a deliriously epic 2nd set suite. Crunchy and powerful.
9
He's Gone
Nov. 14, 1972
Oklahoma City Music Hall

A long, smooth outro allows for a little musical discussion whether it's going to TOO or Truckin'. Great stuff that must have stolen many faces.
5
China Cat Sunflower -> I Know You Rider
Nov. 14, 1972
Oklahoma City Music Hall

This CC is so sweet and much longer than others of the era before signaling the >IKYR, with lots of room to stretch out and find the sound.
3
Sugaree
Nov. 14, 1972
Oklahoma City Music Hall

So smooth, so warm. 2nd song in the show, and they sound like its late 2nd set. Gem of a show, gem of a song.
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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