headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Looks Like Rain
June 27, 1976
Auditorium Theatre

Jerry and Keith are just on fire behind the beautiful vocal duet. This show is underappreciated. Give it a spin....
1
Friend of the Devil
June 27, 1976
Auditorium Theatre

Always preferred the fast ones, but listening to Jerry rip up the solos here and it makes sense. Killer version here (with a rude AUD patch though).
2
Brown Eyed Women
June 27, 1976
Auditorium Theatre

Has a crisp and tight disco shuffle prefiguring the '77 sound. Jerry's solo fills are precise and brilliant. Donna's harmonies are as sweet as ever.
1
The Wheel
June 26, 1976
Auditorium Theatre

Nice on its own, and brilliant as part of a great PITB-SS-Wheel-PITB sandwich. You can hear the fun their having. Short but sweet.
4
Scarlet Begonias
June 26, 1976
Auditorium Theatre

From Phil's opening swoops to Jerry's passion-vox, and pristine soloing, this is a killer stand alone SB. Surprised it's not here yet.
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Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.
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