headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

2
Looks Like Rain
June 26, 1976
Auditorium Theatre

No doubt there's a little schmaltz factor on the lyrics and all, but Bobby and Donna just wash over you on this one like a wave of lovely heartache.
2
Tennessee Jed
June 26, 1976
Auditorium Theatre

Rabble-rousing banger here. Jerry kicks it up and up and the crowd just loves it.
2
The Wheel
June 23, 1976
Tower Theatre

Totally overlooked. One of the sweetest of the year. Rolls in at almost 6 min, closing a beaut set. I'm setting this to auto replay now. Check it out!
2
Cosmic Charlie
June 23, 1976
Tower Theatre

Overlooked! Comes out of a smokin' LIG and has that smokey, slinky, silky smolder of the best of '76.
2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.