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Carrion_Crow

Stealth Head

+49712


Submissions

2
Looks Like Rain
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

No doubt with a better source this would be high up on the list. Listen to Jerry's supersonic flyby as Bobby and Donna caress the out chorus.
2
Lazy Lightnin' -> Supplication
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Help us Charlie Miller, you're our only hope! Seriously though, this is a blisteringly hot version. Don't miss it.
1
Dancin' in the Streets
Aug. 26, 1976
Club Front Studio

Very cool studio rehearsals with new grooves and wildly flanged sound. Fall '76 versions are some of the best, and here they are still in the egg.
7
The Music Never Stopped
Aug. 4, 1976
Roosevelt Stadium

Jerry tears this one apart with a shredding solo. The link here is bass-heavy SBD with some decay, but just brilliant playing by all.
3
Goin' Down The Road Feelin' Bad
Aug. 2, 1976
Colt Park

Notable for a 6-min opening jam that comes out of Wharf Rat, very cool, mislabeled "Drums". The GDTRFB smokes too.

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.