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Carrion_Crow

Stealth Head

+49677


Submissions

6
Stella Blue
Aug. 22, 1972
Berkeley Community Theatre

How in this magic week did this powerhouse version with perfect vocals not yet get voted up? Give a spin, you aren't going to regret it.
4
Friend of the Devil
Aug. 22, 1972
Berkeley Community Theatre

Perfection. They could do no wrong this week, and this FOTD is no exception. Perfection.
4
Loser
Aug. 22, 1972
Berkeley Community Theatre

Tight ensemble playing with perfect sound. This is one of the great shows of the year.
7
Feelin' Groovy Jam
May 19, 1974
Portland Memorial Coliseum

Already listed as the CC>IKYR, but this jam stands on its own. One of the tightest from start to finish.
4
Uncle John's Band
Aug. 21, 1972
Berkeley Community Theater

Brilliant outro and high-energy version, a bit more up-tempo than others from the time. All-round sweet show, overshadowed by other giants of Aug. '72

Comments

Playin' In The Band
Sept. 15, 1972
Boston Music Hall

Furious acid rock. This is high voltage stuff, and in spite of a little burn-up on re-entry it deserves a close listen and more votes.
China Cat Sunflower -> I Know You Rider
Sept. 15, 1972
Boston Music Hall

Nice catch. This one is a bit stripped down. It's pretty long at over 16 minutes - but it has a superb, purposeful, and clean ensemble feel to all of it. Plus there's an extended transition jam that feels like Jerry has something really important to say, and he takes his good sweet time to say it.
Black Peter
Sept. 10, 1972
Hollywood Palladium

For a song that wasn't in regular circulation at the time, (played only about 5 times in '72), they absolutely nailed this one. It sends chills down my back.
Truckin'
Sept. 10, 1972
Hollywood Palladium

Hard driving 18-wheeler here, folks.
Playin' In The Band
Sept. 10, 1972
Hollywood Palladium

Spinning this show again, and what blows me away about this Playin' is just how much it pre-figures the heavier electric sound that this song would take on in 1974. It starts getting a bit Electric Miles Davisish just before the eight-minute mark, with the wicked wah and distortion, along with some great key work and - of course - that specially tight one drummer quality from Billy from this period. It demonstrates how they just refused to sit still - the great blistering voyages of Summer '72 Playin's were so fresh, but rather than try and reproduce them night after night, they looked at it from another angle (or another thousand angles) and moved it furthur on, finding more and more in it.