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Carrion_Crow

Stealth Head

+49707


Submissions

1
Playin' In The Band
June 4, 1976
Paramount Theatre

This is a weird one. At times it seems like they forgot it was PiTB and went back to the HSF jam. Fun, but waaaaaaaaay loose.
1
Lazy Lightnin' -> Supplication
June 4, 1976
Paramount Theatre

Short, sweet, brand new, and flawless.
1
Friend of the Devil
June 4, 1976
Paramount Theatre

Brilliant early "slow version". I always prefered the desperado fast-paced ones, but this turns into a brilliant exploration and improv vehicle.
3
Uncle John's Band
Dec. 31, 1972
Winterland Arena

Uptempo, powerful, strong vocals. This is top shelf UJB. With David Crosby for that extra oomph, and with a tigh outro, it's strangely not here yet.
4
Jack Straw
Dec. 31, 1972
Winterland Arena

Like every other song in the first set, this is just pristine, air-play level perfection. Beautiful fills by Keith here, too.

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.