headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

15
Mister Charlie
Aug. 7, 1971
Golden Hall

Jerry leans into it with a jaw-tighteningly crisp and high-voltage tone for a killer solo, though the group is a bit loose. Pigpen sounds amazing.
6
Rosalie McFall
Sept. 26, 1980
Warfield Theater

Absolute goodness. These shows are all so beautiful, the playing is all virtuoso, and the feeling is so positive. Brent here is especially perfect.
2
Dark Hollow
Sept. 26, 1980
Warfield Theater

Perfect. Bobby's silky voice, Gerry's understated but perfect picking, and Brent's barrelhouse honkytonk all on proud display.
1
The Other One
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Poor sound quality midway through, but its the first '76 set since the hiatus that goes off-the-rails weird, evoking the Wall of Sound era. Hot stuff.
2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work
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Comments

Mister Charlie
April 29, 1972
Musikhalle

Jerry's tone on this is dialed all the way in. Really special soloing on this one.
Comes A Time
April 26, 1972
Jahrhunderthalle

Powerful. Perfectly executed. The track list for the complete show on the archive is off by one song, so it has Comes a Time coming in at an extraordinary 36 minutes and 28 seconds, which is pretty funny when you think about it. In any case, they really pull this one off beautifully, even if it's a mere 6:40....
Truckin'
April 26, 1972
Jahrhunderthalle

Well I guess just like Bobby on this version, sometimes people just fuck up the words.
Chinatown Shuffle
April 26, 1972
Jahrhunderthalle

Coming off of an extraordinarily energetic Playin', this one has an extra oomph with the tempo just a bit higher, and Billy's back beat kicking it forward with a great, almost reckless driving pulse.
Greatest Story Ever Told
April 26, 1972
Jahrhunderthalle

Absolutely in need of more votes. If you listen carefully, you can hear exactly when they break the badassery barrier. Jerry shreds like a man possessed, Keith is brilliant, Billy all over it, and of course Bobby and Donna are in perfect sync.
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