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Carrion_Crow

Stealth Head

+49742


Submissions

4
Cassidy
July 16, 1976
Orpheum Theatre

Bobby's warmup after a CRS opener helps kick off one of the best 1st sets of 1976. Part of the brief era when they mic'd and mixed Donna beautifully
4
The Wheel
July 14, 1976
Orpheum Theatre

Gets right weird as part of a deep PITB sammy. How many first set spacemelts are there in '76? Something in the water for this hometown show???
3
Looks Like Rain
July 14, 1976
Orpheum Theatre

How these guys (and gal) could turn such a cheese-ball song into massive lift-off spaceship jam event horizon is a modern miracle of music.
2
The Wheel
July 12, 1976
Orpheum Theater

Smooth running, out of a very cool, thematically coherent Drums. Beautiful harmonies. Every Wheel is an elegant treat from '76, and this is a beaut.
4
Dancin' in the Streets
July 12, 1976
Orpheum Theater

On of the post-haitus ones that stretch and groove and go every-which-way. What a treat.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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