headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

1
Sugaree
July 12, 1976
Orpheum Theater

Kicks off a the second set with a jam that creeps up on you and is suddenly shredding. Cool opener in an under-the-radar show.
2
New Minglewood Blues
July 12, 1976
Orpheum Theater

Comes storming out the gate after 5 years on the shelf. The Devils drive this one, but everyone is on, up, and jumping.
1
Cassidy
July 12, 1976
Orpheum Theater

Smooth highway. Bobby and Donna in sweet harmony, and with that whiff of grace that marks the best versions of Cassidy out there.
2
Might As Well
June 29, 1976
Auditorium Theatre

Good times for all on this sweet set closer, coming out of a killer TMNS.
3
Not Fade Away
June 28, 1976
Auditorium Theatre

Beautiful a capella outro here and check out Bobby's polyrythmic harmolodism during the last solo section for a treat.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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