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Carrion_Crow

Stealth Head

+49742


Submissions

2
Looks Like Rain
June 27, 1976
Auditorium Theatre

Jerry and Keith are just on fire behind the beautiful vocal duet. This show is underappreciated. Give it a spin....
1
Friend of the Devil
June 27, 1976
Auditorium Theatre

Always preferred the fast ones, but listening to Jerry rip up the solos here and it makes sense. Killer version here (with a rude AUD patch though).
2
Brown Eyed Women
June 27, 1976
Auditorium Theatre

Has a crisp and tight disco shuffle prefiguring the '77 sound. Jerry's solo fills are precise and brilliant. Donna's harmonies are as sweet as ever.
1
The Wheel
June 26, 1976
Auditorium Theatre

Nice on its own, and brilliant as part of a great PITB-SS-Wheel-PITB sandwich. You can hear the fun their having. Short but sweet.
4
Scarlet Begonias
June 26, 1976
Auditorium Theatre

From Phil's opening swoops to Jerry's passion-vox, and pristine soloing, this is a killer stand alone SB. Surprised it's not here yet.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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