headyversion

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Carrion_Crow

Stealth Head

+49737


Submissions

2
Looks Like Rain
June 26, 1976
Auditorium Theatre

No doubt there's a little schmaltz factor on the lyrics and all, but Bobby and Donna just wash over you on this one like a wave of lovely heartache.
2
Tennessee Jed
June 26, 1976
Auditorium Theatre

Rabble-rousing banger here. Jerry kicks it up and up and the crowd just loves it.
2
The Wheel
June 23, 1976
Tower Theatre

Totally overlooked. One of the sweetest of the year. Rolls in at almost 6 min, closing a beaut set. I'm setting this to auto replay now. Check it out!
2
Cosmic Charlie
June 23, 1976
Tower Theatre

Overlooked! Comes out of a smokin' LIG and has that smokey, slinky, silky smolder of the best of '76.
2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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