headyversion

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Carrion_Crow

Stealth Head

+49722


Submissions

7
Box of Rain
Nov. 15, 1972
Oklahoma City Music Hall

Having held "sing something Phil" banners, I always had a soft spot for BoR. This one is tightly played and powerfuly sung. Good stuff!
3
Uncle John's Band
Nov. 14, 1972
Oklahoma City Music Hall

Hard rockin' version coming after a deliriously epic 2nd set suite. Crunchy and powerful.
9
He's Gone
Nov. 14, 1972
Oklahoma City Music Hall

A long, smooth outro allows for a little musical discussion whether it's going to TOO or Truckin'. Great stuff that must have stolen many faces.
5
China Cat Sunflower -> I Know You Rider
Nov. 14, 1972
Oklahoma City Music Hall

This CC is so sweet and much longer than others of the era before signaling the >IKYR, with lots of room to stretch out and find the sound.
3
Sugaree
Nov. 14, 1972
Oklahoma City Music Hall

So smooth, so warm. 2nd song in the show, and they sound like its late 2nd set. Gem of a show, gem of a song.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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