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Carrion_Crow

Stealth Head

+49652


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.

Comments

The Eleven
Jan. 17, 1969
Civic Auditorium

This is a hot version, no doubt, but everything about this era runs hot. The electric high-tension and crackling energy is something like no other era. Leave it to the gear-heads to explain why, but I think this was just at the end of the first era - before he went to jail - with Bear and his audio effect on the sound was palpable. Musically this has a few rough spots of everyone playing on top of each other, like just before transitioning into the first solo, but they always come back in and overall it's a rollicking good time more than a blow-your-face off steal, IMHO.
Eyes Of The World
Feb. 22, 1973
Assembly Hall, University of Illinois

Jerry's first two solos are radio-play perfect, and the ensemble singing on each chorus is a joyous yowp for life. To my ears it drifts out of sync a bit in the outro, but the transition to China Doll is just sublime.
Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.