headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49652


Submissions

2
Feedback
March 17, 1968
Carousel Ballroom

Sounds like they had a big-rig air horns, steam whistles, small caliber rifles and martian submarines: A Symphony of Wrong. Awesome.
1
Alligator
Jan. 1, 1967
Studio Rehearsals

Outtakes from Anthem: '67 comes in hot! The transition from '66 pop is complete. B/B- sound quality though. Worth it.
3
Good Morning Little Schoolgirl
Aug. 1, 1966
Unknown

Filthy. Pig's voice is very clean here. The dates are probably wrong.
1
You Don't Love Me
Aug. 1, 1966
Unknown

Dates are debatable, but the band isn't. Brilliant insert between Schoolgirl sections.
1
Dancin' in the Streets
July 17, 1966
Fillmore Auditorium

Cuts out in the out-chorus, but shows the initial move from cover band into exploratory jams and bendy form. Very cool testament to where they were.

Comments

Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
Brown Eyed Women
March 18, 1977
Winterland Arena

Overlooked. This is a brilliant version.
Sugaree
March 18, 1977
Winterland Arena

Keith is glorious throughout this beauty. I'll admit when I see a 14 minute Sugaree there's a part of me that says 'uh-oh, hope it doesn't drag....' But this is just pristine throughout: Hot jams, clear ideas and solos, with mindbending guitar effects that think are the first-ever for their kind. And that Godchaux fella tickling the keys. Nice one!
Its All Over Now
March 18, 1977
Winterland Arena

After two shaky songs to start the first set Bobby comes steaming in with this beauty.
Morning Dew
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

For any era for Morning Dews this is top shelf. Drops on the heads out of nowhere, capping off a good - but not necessarily great - 2nd set.