headyversion

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Carrion_Crow

Stealth Head

+47185


Submissions

1
Space
Sept. 10, 1974
Alexandra Palace

Headyversion doesn't have a "Seastones" page so it'll have to go here. Super subtle and very weird: Not everyone's soundtrack but it's one of mine!
1
Friend of the Devil
April 26, 1977
Capitol Theater

Strap on headphones (AUD quality) and forget about the manic screaming. Listen to Keith, you won't regret it.
1
Big River
April 26, 1977
Capitol Theater

Blazing hot. Don't be put off by the AUD quality. Strap on the headphones and go. Brilliant.
1
Cassidy
May 7, 1981
Tomorrow Coast To Coast with Tom Synder

Rounding out the 4-song acoustic set on "the Tomorrow Show". Here's the awesome video: https://www.youtube.com/watch?v=chADQBmosEQ - enjoy it Heads!
1
On The Road Again
May 7, 1981
Tomorrow Coast To Coast with Tom Synder

Sweet little number live and in color on the Tomorrow Show: https://www.youtube.com/watch?v=chADQBmosEQ

Comments

Ship of Fools
April 25, 1977
Capitol Theater

Sweet treat indeed. Jerry's voice is perfectly rescued in the C.Miller upgrade, and the band is a graceful waterfall behind him.
Lazy Lightnin' -> Supplication
April 25, 1977
Capitol Theater

Nice angular sparkle to the whole jam here.
Deal
April 25, 1977
Capitol Theater

Hot streak. This and the NMB before it just come ready to party. We know in retrospect the wall-to-wall peaks from April-May '77 but can you put yourself in the scene and imagine thinking... what the fuuuuuuuuuuuuuck just happened? Weren't these guys mellow just a few months ago?
Not Fade Away
April 23, 1977
Springfield Civic Center

Kieth continues his visit from the future experimenting with synthnoise settings that could have easily been from the ten years later. Set's a cool groove with what sounds like a Moog/DX7 and Hammond Organ rig around 5 minutes in while Jerry and Bobby are slowly boiling everybody's brains for what must have been a long strange trip to round out the set.
Goin' Down The Road Feelin' Bad
April 23, 1977
Springfield Civic Center

This one really deserves its spot on the front page, even for a a song played 300 times more or less over the years. Like much of this show it seems tentative at times but of a sudden turns just colossally confident. The oomph that everyone mentions is real, and they orchestrate the highs and lows to perfection.