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Carrion_Crow

Stealth Head

+49652


Submissions

4
King Bee
July 17, 1966
Fillmore Auditorium

Pig is in perfect form, the band throbs behind him with intensity and purpose. Pristine recording.
2
Cream Puff War
July 17, 1966
Fillmore Auditorium

A rip-snortin' wild ride. Not as stretched out as the day before, but still an explosive starting pistol at the earliest days of the Dead.
1
High Heeled Sneakers
June 1, 1966
Owsley's House (rehearsal)?

Rare and obscure, on the Archive at gd1966-06-01.136642.watts.sbd.mr.dat48k.sirmick.flac16
2
I Know You Rider
March 12, 1966
Danish Center

Still in its infancy, but listen to Jerry swarming all over it like ten thousand honey bees. Lightning fast, almost a "let's do this for 50 years".
3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.

Comments

I Know You Rider
Feb. 25, 1966
Ivar Theater

You'd almost call this a Phil song at this point in the early history of the band. So cool to hear it in its infancy.
On The Road Again
Feb. 25, 1966
Ivar Theater

Pre-proto-Dead, and so so very cool. There's some debate around the date, but it's on the archive as the Ivar Theater, so what difference does it make! Jerry's voice is soooooo young.
Caution
Jan. 8, 1966
Fillmore Auditorium

Rippin' and trippin'. It's messy, wild and reckless.... with an edge-of-chaos intensity that can still blow your mind almost 54 years later. ^^Very cool note there about a possible influence on Tom Waits. No doubt about it, he surely heard the Dead in California in their early years. Cool association.
Can't Come Down
Nov. 3, 1965
Golden State Studios

Bob Dylan's influence on the Dead is evident from the lyrics and delivery of this oldest of the old demos. Harmonica, snarling vocals, proto-punk social commentary of the Highway 61-era. Anyone out there think they started listening to Dylan in the 90s???
Uncle John's Band
Dec. 31, 1976
Cow Palace

The first one in over two years, covering both the hiatus and all of '76. They sound just a wee bit tuckered out in the first moments (this being at leat 4 full hours of music into the night) but they rock the ever-lovin' shit out of it by the end in a 'here comes '77' way that jut slays me.