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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

4
King Bee
July 17, 1966
Fillmore Auditorium

Pig is in perfect form, the band throbs behind him with intensity and purpose. Pristine recording.
2
Cream Puff War
July 17, 1966
Fillmore Auditorium

A rip-snortin' wild ride. Not as stretched out as the day before, but still an explosive starting pistol at the earliest days of the Dead.
1
High Heeled Sneakers
June 1, 1966
Owsley's House (rehearsal)?

Rare and obscure, on the Archive at gd1966-06-01.136642.watts.sbd.mr.dat48k.sirmick.flac16
2
I Know You Rider
March 12, 1966
Danish Center

Still in its infancy, but listen to Jerry swarming all over it like ten thousand honey bees. Lightning fast, almost a "let's do this for 50 years".
3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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