headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

3
Cassidy
Oct. 14, 1976
Shrine Auditorium

Absolute ripper. Band sounds like they started warm and heated up. Great first set.
2
Johnny B. Goode
Oct. 10, 1976
Oakland-Alameda County Coliseum

Starts with Jerry barking orders: "Rock and Roll! Rock and Roll!" and it doesn't disappoint. Caps off a high intensity blazing glory of a show. DP33.
2
The Other One
Oct. 2, 1976
Riverfront Arena

Rare for '76, it starts a bit rough, but then finds its gear and blasts off. It sounds a bit like a mid-80s version to this head.
7
The Music Never Stopped
Oct. 2, 1976
Riverfront Arena

MLB makes a mini-return 4 minutes in when Jerry pulls Phil out of the song for some fun. MLB is the origin of TMNS. Here they are together.
3
Brown Eyed Women
Oct. 2, 1976
Riverfront Arena

Overlooked show probably due to the middle AUD quality, but listen here and you get pure Jerry perfection, plus a possible explosion on stage.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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