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Carrion_Crow

Stealth Head

+49652


Submissions

1
Sugaree
July 12, 1976
Orpheum Theater

Kicks off a the second set with a jam that creeps up on you and is suddenly shredding. Cool opener in an under-the-radar show.
2
New Minglewood Blues
July 12, 1976
Orpheum Theater

Comes storming out the gate after 5 years on the shelf. The Devils drive this one, but everyone is on, up, and jumping.
1
Cassidy
July 12, 1976
Orpheum Theater

Smooth highway. Bobby and Donna in sweet harmony, and with that whiff of grace that marks the best versions of Cassidy out there.
2
Might As Well
June 29, 1976
Auditorium Theatre

Good times for all on this sweet set closer, coming out of a killer TMNS.
3
Not Fade Away
June 28, 1976
Auditorium Theatre

Beautiful a capella outro here and check out Bobby's polyrythmic harmolodism during the last solo section for a treat.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.