headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

1
Monkey and the Engineer
Nov. 7, 1970
Capital Theater

Sweet fun in a gorgeous acoustic set. Clapalong crowd adds to the joy.
2
El Paso
Nov. 7, 1970
Capital Theater

Slow waltz tempo. Bobby's voice gorgeous, Jerry's cantina filigree perfect. A perfect gem. AUD quality B-.
1
Deep Elem Blues
Nov. 6, 1970
Capitol Theater

Whoa sweet mama! Back to this show and every note seems worth a shoutout.
1
Turn On Your Love Light
Nov. 5, 1970
Capitol Theater

Pigpen gets a woman pregnant on stage. Rough AUD but utterly worth it. The jam starting around 16:00 is very hot.
4
The Other One
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

A barnburner that suffers a bit from compressed sound quality (and a mic. problem), but still hot & worth a spin. Cryptical outro gets going nicely.

Comments

Comes A Time
July 17, 1976
Orpheum Theatre

Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre

Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre

Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre

Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre

Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.