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Carrion_Crow

Stealth Head

+49667


Submissions

7
Candyman
Aug. 2, 1976
Colt Park

What a treat. Why is this show undervalued? C'mon folks, don't let a good AUD scare you. This is a beaut, with the crowd part of the party.
3
They Love Each Other
Aug. 2, 1976
Colt Park

Highlight from the first set. Keith sets it on fire. Jerry is in top form.
3
Tennessee Jed
Aug. 2, 1976
Colt Park

The '76 ones ted to plod along a bit too much for my taste, but Jerry tears this one right up with a good shitkickin' solo and great tone.
2
Mama Tried
Aug. 2, 1976
Colt Park

Continues the run of perfect Mamas from the Summer tour. This one is short and sweet, perfect vocals.
2
Samson and Delilah
July 18, 1976
Orpheum Theater

Full of strut. The band is in perfect form, everyone is on. Precise, strong, and full of swagger.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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