headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

1
The Music Never Stopped
Sept. 27, 1976
Community War Memorial Auditorium

Note for note brilliant. Jerry is blazing over the band with one brilliant line after another. Great set capper.
1
Looks Like Rain
Sept. 27, 1976
Community War Memorial Auditorium

Solid emotionally charged version with a great balanced soundboard right as the Fall tour kicks into blistering hot gear.
5
Samson and Delilah
Sept. 24, 1976
William and Mary College Hall

Fall of '76 is peak time for Samsons, and this one just struts. Great feeling for this under-the-radar show.
4
Stella Blue
March 19, 1973
Nassau Coliseum

Peak musicianship and total communication of the band at one of their most telepathic moments as a group. Jerry's vox is sublime.
4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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