headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Lazy Lightnin' -> Supplication
June 28, 1976
Auditorium Theatre

High energy and zigzagging, this is a fast one. Supplication is tons of fun, even if they don't quite stick the landing.
2
Looks Like Rain
June 28, 1976
Auditorium Theatre

Brilliant rise to a climactic finish. Jerry soloing like a man possessed behind sweet Bobby/Donna '76 harmonies. Nice one.
3
Promised Land
June 28, 1976
Auditorium Theatre

Up and jumping show opener from the first note. Keith's solo is brilliant.
2
Samson and Delilah
June 27, 1976
Auditorium Theatre

Way up tempo, sparkling and crispy with enough of both the gospel saint and the heretic sinner to make this one much fun. The '76s are just brilliant.
1
Might As Well
June 27, 1976
Auditorium Theatre

Whole lot of fun here. Sounds like they meant it on this one. Closes out a great first set.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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