headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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