headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

15
Mister Charlie
Aug. 7, 1971
Golden Hall

Jerry leans into it with a jaw-tighteningly crisp and high-voltage tone for a killer solo, though the group is a bit loose. Pigpen sounds amazing.
6
Rosalie McFall
Sept. 26, 1980
Warfield Theater

Absolute goodness. These shows are all so beautiful, the playing is all virtuoso, and the feeling is so positive. Brent here is especially perfect.
2
Dark Hollow
Sept. 26, 1980
Warfield Theater

Perfect. Bobby's silky voice, Gerry's understated but perfect picking, and Brent's barrelhouse honkytonk all on proud display.
1
The Other One
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Poor sound quality midway through, but its the first '76 set since the hiatus that goes off-the-rails weird, evoking the Wall of Sound era. Hot stuff.
2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work
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Comments

The Music Never Stopped
June 9, 1976
Boston Music Hall

"Mad underrated" indeed, as the man above said. What a dream show.
Cassidy
June 9, 1976
Boston Music Hall

Pure beauty. These first shows of '76 telegraph so many new ideas and such a creative moment in the band's history. Imagine all the roll-outs and new material, along with a new sound, stripped down gear, and a technical ferocity following the hiatus (I'm on a big '76 kick right now). Boyz and Grlz, check out this show... you'll dig it!
Cold Rain and Snow
June 9, 1976
Boston Music Hall

Absolute ripper. My theory is that the boys would open with CRS when they were feeling particularly good. There are just too many lightning-in-a-bottle examples for it to be a coincidence. This version has so much love for the sound and pleasure of making a joyous noise, and it signals a brilliant brilliant show to come. Enjoy it heads, if you don't know it.
Cosmic Charlie
June 4, 1976
Paramount Theatre

There's something quite mocking about this song. "Cosmic Charlie" always seemed like a dismissal you might hear of someone who's just a bit too keen on being part of the scene - with that "go on home, your mama's calling you" being a bit too much like a classic insult for a wannabe. In any case, I always wanted them to play it again, and never saw it live. Anyone know the origins of the lyric?
Might As Well
June 4, 1976
Paramount Theatre

As happy a version as you can find, about a happy time. Interplay is perfect here.
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