Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.

These early ones have such brilliant swagger, you can really hear the gospel power to them

This has so much more jazz in the first 11 minutes than most other Others from the era, and accordingly this is the first show in '72 where I really hear where the new year is going to take them. (Same for the China-Rider). This has a bit of an acid freakout and meltdown, but isn't as hard rocking as some. It is, in any case a perfectly executed and exciting version all the same. Edit: On second listen, I'm thinking the tape speed might be a bit high. Any thoughts? The OO and Truckin' both seem a bit accelerated. Also, I may be crazy, but around 20:30 they play with a theme that sounds to my mind like a proto-Slipknot. Someone tell me if I'm off my rocker, but it hangs in the air for about two or three minutes. This fits with my earlier comment that they were already exploring new sounds for '73 and beyond by this point.

The transition jam out of CC is smooth sailing and a nice vision of how'd they'd sound by Summer '73 with that perfect combination of hot yet mellow.

Compare any December '71 (the one on Dec. 10th, for ex.) to this one and marvel at how far and deep they'd dug into it in just one year. I am constantly amazed at how rich PiTB is as a vehicle for exploration, and Q4 '72 is one of the most consistent fascinating periods for the growth of this song. This one is way too far down the list, heads, and y'all should check it out stat.

So much music packed in here. From the very start you know it's going to be adventurous. There are a few seconds at the beginning where Jerry plays with his tone that you'd usually associate with the whale song segment of a big big Star. Then a big, colorful and coherent jam with a unique (?) melodic 16th note section that flutters and buzzes around the 8 minute mark. The vocals are pristine, and then Phil hits the hyperspace warp overdrive and even the meltdown is precise and purposeful. A great great Dark Star.

Terribly underrated. This is a continuous flood of muscular musicality. At 'only' 19 minutes it's a bit shorter than some of the other titanic PiTBs of the era, but it's a hardened gem of condensed dark-matter within which there are whole worlds to explore.