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Carrion_Crow

Stealth Head

+49677


Submissions

2
Looks Like Rain
June 27, 1976
Auditorium Theatre

Jerry and Keith are just on fire behind the beautiful vocal duet. This show is underappreciated. Give it a spin....
1
Friend of the Devil
June 27, 1976
Auditorium Theatre

Always preferred the fast ones, but listening to Jerry rip up the solos here and it makes sense. Killer version here (with a rude AUD patch though).
2
Brown Eyed Women
June 27, 1976
Auditorium Theatre

Has a crisp and tight disco shuffle prefiguring the '77 sound. Jerry's solo fills are precise and brilliant. Donna's harmonies are as sweet as ever.
1
The Wheel
June 26, 1976
Auditorium Theatre

Nice on its own, and brilliant as part of a great PITB-SS-Wheel-PITB sandwich. You can hear the fun their having. Short but sweet.
4
Scarlet Begonias
June 26, 1976
Auditorium Theatre

From Phil's opening swoops to Jerry's passion-vox, and pristine soloing, this is a killer stand alone SB. Surprised it's not here yet.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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