headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

4
Sugar Magnolia
June 15, 1976
Beacon Theatre

Cool Sugar Mag>Scarlet Begonias>SSDD sammy. Is this the only one like it? The SSDD kicks ass.
7
Friend of the Devil
June 15, 1976
Beacon Theatre

I won't say best, but there's a very cool Hawaiian vibe with Jerry and Bobby backing Keith's solo around the fifth minute.
4
Samson and Delilah
June 15, 1976
Beacon Theatre

Swaggering gospel here, with all the muscle and might befitting the song. Bobby's having a blast.
12
Not Fade Away
June 15, 1976
Beacon Theatre

Jam starts to bubble and boil and rolls on with great creative force. Very cool '76 sound, and a great mix with Bobby and Phil interaction on display
9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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