headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49687


Submissions

2
El Paso
July 14, 1970
Euphoria Ballroom

Very mellow cowboy ballad, like the great Nov. 8th '70 above. Check 'er out. They were experimenting with it here.
3
Black Peter
July 14, 1970
Euphoria Ballroom

Beautiful acoustic version. The whole first set is one exquisite jewel after another.
3
Dark Hollow
July 14, 1970
Euphoria Ballroom

After some rowdy banter the good old GD pull out a magical beauty here. Acoustic fans shouldn't overlook this one!
6
Friend of the Devil
July 14, 1970
Euphoria Ballroom

Pretty unknown show, but this FoTD is just perfect. Some sound issues around the edges, but here Jer's voice is angelic and sweet.
2
Cold Rain and Snow
July 12, 1970
Fillmore East

One of the under-appreciated masterpieces of the Dead canon, this one stretches out nicely. Mellow, but adventurous. Love this one.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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