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Carrion_Crow

Stealth Head

+49707


Submissions

2
Looks Like Rain
June 26, 1976
Auditorium Theatre

No doubt there's a little schmaltz factor on the lyrics and all, but Bobby and Donna just wash over you on this one like a wave of lovely heartache.
2
Tennessee Jed
June 26, 1976
Auditorium Theatre

Rabble-rousing banger here. Jerry kicks it up and up and the crowd just loves it.
2
The Wheel
June 23, 1976
Tower Theatre

Totally overlooked. One of the sweetest of the year. Rolls in at almost 6 min, closing a beaut set. I'm setting this to auto replay now. Check it out!
2
Cosmic Charlie
June 23, 1976
Tower Theatre

Overlooked! Comes out of a smokin' LIG and has that smokey, slinky, silky smolder of the best of '76.
2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?

Comments

Promised Land
May 26, 1972
Strand Lyceum

Rip-snortin' kick off. High energy right out of the gate.
Sitting on Top of the World
May 25, 1972
Strand Lyceum

Final version ever, according to setlists.net, and the absolutely nailed it. I always wondered why this up-and-jumper got culled from the repertoire. It's up there with the most emblematic sounds from their early period, but there it is... out with a bang at the end of Europe '72.
Comes A Time
May 25, 1972
Strand Lyceum

Yeah... that organ is beautiful. I suppose that's Pigpen, not Keith. Something about the chordplay has his fingerprints on it. Does anyone know more about this?
Dark Star
May 25, 1972
Strand Lyceum

I don't want to be pedantic or anything, but the comments above spread a confusion: This is definitely a "Feelin' Groovy" jam, and not a MLB. There's a good essay about this, with some pretty comprehensive lists of all the early name-brand jams over at deadessays.blogspot . Either way, this one always slays me. What a piece of music!
Truckin'
July 16, 1972
Dillon Stadium

The set starts a bit shaky, but this jam goes on to deliver the goods. Nice one, even if they start off a bit loose. Plus it's a master class for any bass players out there on how to comp it and stomp it: Phil is a monster all over this, and high in the mix.