headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

6
The Wheel
June 22, 1976
Tower Theatre

Such floating beauty, you can feel the tires humming down the highway. Part of a magic Playin' sammy too. Everything about this is brilliant.
3
Cassidy
June 22, 1976
Tower Theatre

Just exactly perfect here. Bobby and Donna were perfection in '76, The little AUD patch doesn't hurt at all. Jerry and the Devils tear it up.
2
Looks Like Rain
June 22, 1976
Tower Theatre

Donna and Bobby in perfect sync, beautifully harmonizing, and backed up with brilliant Jerry fretwork. '76 was Donna's best year by far.
6
The Music Never Stopped
June 21, 1976
Tower Theater

Short set opener, but if there's one where Donna saves it all with breathy ahhhs and mmmms, it's this one. Gentle whispers around 03:30.
3
Brown Eyed Women
June 21, 1976
Tower Theater

Smooth version with flawless, FM airplay quality.
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Comments

Playin' In The Band
March 27, 1972
Academy of Music

One of the first ones to recognizably showcase the off-the-rails trippiness of a mature Playin' jam. The transition is now complete, with Europe up next to polish it up: From The Main Ten (just a few hints of it left right after the verse) to an outre-rhythmed country diddy (à la Spring '71) and now the recast of it into one of the greatest long-distance spaceships ever owned.
Cumberland Blues
March 27, 1972
Academy of Music

The vitamins were strong with this one.
Brown Eyed Women
March 27, 1972
Academy of Music

+1 for Jerry's growl. The whole show is end-to-end top shelf stuff.
Two Souls in Communion
March 26, 1972
Academy of Music

The most convincing version I've ever heard. It's funny, though, because it starts a bit shaky and grows and grows into a raging inferno.
Me and My Uncle
March 26, 1972
Academy of Music

There's something ultra tight and crisp about this one, especially as it comes out of a 23 minute TOO. I know MAMU doesn't get a lot of love, though as the song they played more than any other it confuses me why heads don't listen closer to it. For me, it's both a song on its own and a litmus for where they were in a certain time and place. In March '72 they were transitioning from the country sound of '70-'71 into an odyssean psychedelic orchestra, and the MAMU here grounds us in both phases of their spacetime.
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