headyversion

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Carrion_Crow

Stealth Head

+49672


Submissions

3
Good Lovin'
April 21, 1971
Rhode Island Auditorium

Insights and meditations on life love and picking up hookers from the great one. See his mind at work, jump on the wagon and ride.
9
Hard to Handle
April 18, 1971
Lusk Field House - State University Of New York

Overlooked gritty superfunk. Bobby solos, then Jerry takes him to school. Phil, meanwhile is nuking the world big time.
6
Goin' Down The Road Feelin' Bad
April 17, 1971
Dillon Gym

Subtle and musical, slithers its way into an epic Lovelight. Nicely different from others of the era, no NFA sandwich.
7
Hard to Handle
April 14, 1971
Davis Gym, Bucknell University

Another raging inferno. Benefits enormously from a great mix where everyone's audible and you hear Bobby's part. Hot stuff.
3
Wharf Rat
July 25, 1972
Paramount Theater

Carries forward the intensely creative force of the TOO before it. A glory.
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Comments

Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
Estimated Prophet
March 20, 1977
Winterland Arena

Anyone here who's attempted to jam in 7/4 knows how outrageously hard it is to make this so smooooooth. Jerry is overflowing with ideas, laying back but telling you everything you need to hear. Keith's toy-piano-on-a-fritzed-amp sound is pretty weird too, making this a fun spooky-good version.
Beat it on Down The Line
March 20, 1977
Winterland Arena

I have to agree that this isn't the top of the line for me. You want a BIODTL stripped down in kerosene to its pure rock-and-roll essence? Try March 18, 1967, cause it'll curl your straight hair and straighten your curls. Plus it was also at Winterland, so that's kinda kool too.
Deal
March 20, 1977
Winterland Arena

Love this version. Deal comes out of Jerry's guitar like it was his very heartbeat. Solo after solo, this was his vehicle. This one is mellow and swinging, still conveying a bit of that '76 sweetness, and includes an extended out-chorus with nice ensemble harmonies.
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