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Carrion_Crow

Stealth Head

+49652


Submissions

2
Lazy Lightnin' -> Supplication
June 28, 1976
Auditorium Theatre

High energy and zigzagging, this is a fast one. Supplication is tons of fun, even if they don't quite stick the landing.
2
Looks Like Rain
June 28, 1976
Auditorium Theatre

Brilliant rise to a climactic finish. Jerry soloing like a man possessed behind sweet Bobby/Donna '76 harmonies. Nice one.
3
Promised Land
June 28, 1976
Auditorium Theatre

Up and jumping show opener from the first note. Keith's solo is brilliant.
2
Samson and Delilah
June 27, 1976
Auditorium Theatre

Way up tempo, sparkling and crispy with enough of both the gospel saint and the heretic sinner to make this one much fun. The '76s are just brilliant.
1
Might As Well
June 27, 1976
Auditorium Theatre

Whole lot of fun here. Sounds like they meant it on this one. Closes out a great first set.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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