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Carrion_Crow

Stealth Head

+49627


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.

Comments

Its All Over Now
April 30, 1977
The Palladium

Bobby's voice at the Palladium is just perfect and it adds even more to this honky-tonk two-steppin' version. There's something about his mic and mix at this period that brings out richer timbres and his natural melodiousness, not only his growls and howls. Let's give Bobby his due amongst all the other hyperbole about 'peak Dead' from the Spring of '77. This is simply bee-yoo-ti-ful, and with both Jerry and Donna harmonizing the out chorus it makes a case for best ever, for sure.
The Music Never Stopped
April 30, 1977
The Palladium

How new was Keith's synth technology in '77? Strings must have seemed like they came from Mars for the trippin' heads, the bug-eyed, and the two-dimensional.
Around and Around
April 29, 1977
The Palladium

Accelerando !!!! A c c c e l e r a n d o !!!!!!!!!!!
The Wheel
April 29, 1977
The Palladium

Jerry pops the clutch with a power chord to get this in gear before that semi- gets moving up the highway.
Goin' Down The Road Feelin' Bad
April 29, 1977
The Palladium

The transition is so beautiful. Not to be pedantic, but FoTM had just entered rotation and had only been played five times since being introduced just a month earlier. Scarlet had been played without Fire for all of '74-'76, so the heads would be gobsmacked by the brilliant transition, but not necessarily the cool pairing that we find anomolous today. There are some brilliant standalone versions of Scarlet out there: My favorite is probably June 9, 1976.