headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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