headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Looks Like Rain
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

No doubt with a better source this would be high up on the list. Listen to Jerry's supersonic flyby as Bobby and Donna caress the out chorus.
2
Lazy Lightnin' -> Supplication
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Help us Charlie Miller, you're our only hope! Seriously though, this is a blisteringly hot version. Don't miss it.
1
Dancin' in the Streets
Aug. 26, 1976
Club Front Studio

Very cool studio rehearsals with new grooves and wildly flanged sound. Fall '76 versions are some of the best, and here they are still in the egg.
7
The Music Never Stopped
Aug. 4, 1976
Roosevelt Stadium

Jerry tears this one apart with a shredding solo. The link here is bass-heavy SBD with some decay, but just brilliant playing by all.
3
Goin' Down The Road Feelin' Bad
Aug. 2, 1976
Colt Park

Notable for a 6-min opening jam that comes out of Wharf Rat, very cool, mislabeled "Drums". The GDTRFB smokes too.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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