headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Looks Like Rain
June 27, 1976
Auditorium Theatre

Jerry and Keith are just on fire behind the beautiful vocal duet. This show is underappreciated. Give it a spin....
1
Friend of the Devil
June 27, 1976
Auditorium Theatre

Always preferred the fast ones, but listening to Jerry rip up the solos here and it makes sense. Killer version here (with a rude AUD patch though).
2
Brown Eyed Women
June 27, 1976
Auditorium Theatre

Has a crisp and tight disco shuffle prefiguring the '77 sound. Jerry's solo fills are precise and brilliant. Donna's harmonies are as sweet as ever.
1
The Wheel
June 26, 1976
Auditorium Theatre

Nice on its own, and brilliant as part of a great PITB-SS-Wheel-PITB sandwich. You can hear the fun their having. Short but sweet.
4
Scarlet Begonias
June 26, 1976
Auditorium Theatre

From Phil's opening swoops to Jerry's passion-vox, and pristine soloing, this is a killer stand alone SB. Surprised it's not here yet.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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