headyversion

find the best versions of grateful dead songs

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FranklinTowers

Drummer

+1902


Submissions

2
El Paso
Sept. 8, 1973
Nassau Coliseum

Not the best vocally, but very good instrumentally.
4
One More Saturday Night
Sept. 8, 1973
Nassau Coliseum

Billy really makes this one -- some very cool snare and hi-hat work starting just before 2:00!
1
Drums
Sept. 7, 1973
Nassau Coliseum

Very technically sound — almost like he’s doing a rudiment exercise for much of it, which is fine by me!
2
Casey Jones
Feb. 21, 1971
Capitol Theater

Pretty good climax on this one, which is the key to the song IMO. All-around solid version, surprised it's not on here yet.
3
St. Stephen
Feb. 18, 1971
Capitol Theater

They sound a bit bored with it to my ears until Phil kicks them into gear around the 4:00 mark. Probably smart that they gave it a break after '71...
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Comments

Truckin'
April 26, 1972
Jahrhunderthalle

Bobby's chord work during Jerry's solos on this one really struck me as I was listening for the 48th anniversary today...some really neat stuff!
He's Gone
April 26, 1972
Jahrhunderthalle

Not always a huge fan of He's Gone, but I like the up-tempo feel of this one and prefer it early in the show like this.
China Cat Sunflower -> I Know You Rider
April 26, 1972
Jahrhunderthalle

Beautiful version. Disqualified from the #1 spot for me because it's one of the ones where Jerry messes up the lyrics a bit (in this case singing the second verse twice). Other than that, A+ for sure.
Turn On Your Love Light
April 26, 1972
Jahrhunderthalle

^LOL. As great as the transition into GDTRFB is, the absence of the "shine on me" coda keeps this version out of the top spot for me. That issue aside, I agree with all previous comments...a furious, spectacular, all-time great version indeed.
Dark Star
Feb. 13, 1970
Fillmore East

I can appreciate all eras of DS, and really love the '72 versions, but this one has always been my favourite. I agree with what others have said that the second verse really makes it feel complete. I listened to this one with headphones lying in the dark at 2 a.m. last night and it really enhanced the experience. The quiet parts are so quiet that you can't hear them during the day without turning it up, then you turn it back down a bit when it gets loud again and you lose the dynamic contrast. If you listen in the middle of the night though when everything is silent, you can leave it at one volume and get the full dynamic swells!
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