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FreedomHaul

Grateful Novice

+17699


Submissions

3
Tennessee Jed
Jan. 31, 1978
Uptown Theater

Builds to a nice climax after some interesting lines from Garcia. Whole show is worth a listen.
4
Truckin'
Jan. 31, 1978
Uptown Theater

Ends a great Set II sequence. Listen to the drummers play along with the whistle blower in the audience!
4
Drums -> Space
Jan. 31, 1978
Uptown Theater

If this had been tracked along with the preceding "Playin,'" everyone would have said "of course." This whole second set is killer.
4
Playin' In The Band
Jan. 31, 1978
Uptown Theater

Exploratory version right out of "Terrapin." Donna sounds great, and Phil leads the jam.
8
Terrapin Station
Jan. 31, 1978
Uptown Theater

The transition into the "Terrapin Station" material is particularly strong, with powerful playing from Keith.
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Comments

St. Stephen
May 5, 1977
New Haven Coliseum

Stand alone version with NFA/Iko Iko style first jam. Nice 6/8 section towards end, with "Truckin'" tease (even more than a tease, since they seem to be going there pretty full on), then Bobby enters early on outro vocal material and > Sugar Mag. I don't hear the Morning Dew tease. Or of highlights of a lackluster second set.
Scarlet Begonias -> Fire On The Mountain
May 5, 1977
New Haven Coliseum

This one left me pretty indifferent. Garcia struggles some with the lyrics a couple of times, and while there's a lot of coked out bouncing around on the main "Fire" progression (a la 05-08), the tempo's a bit slower and I don't think it works as well. Might need to give it another listen.
Estimated Prophet
May 5, 1977
New Haven Coliseum

coherent playing from Garcia, you can tell he's getting more comfortable with this material. At first I was irked that Bobby resented with the vocals when he did, but it actually presaged a nice studio-like fade out.
Bertha
May 5, 1977
New Haven Coliseum

Slow moving but with soaring leads from Garcia (a la 05-17 "Scarlet").
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Phil comes through the Betty Board to spank your ears with funkadelic goodness. Also, love how this seemed to emerge from the tuning before hand (one of my key markers for a stellar version).
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