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Mercury

colorful wookie

+6852


Submissions

10
Jack Straw
Dec. 31, 1977
Winterland Arena

Piston Pumpin' version to close '77. Overlooked? This is the 244th version listed. Deserves to climb the pile.
2
It's All Over Now Baby Blue
Sept. 16, 1966
Avalon Ballroom

From the Hearth (Avalon - Historic/ Vintage Album Version)
2
Goin' Down The Road Feelin' Bad
Aug. 29, 1983
Silva Hall, Hult Center

Attacked with precision and exuberance by the ensemble, who bat this one on down the road in viscous and youthful ’83 style.
1
The Wheel
July 1, 1971
Wally Heider's Studio

Version from Garcia's first album - the first and the best
3
Jack Straw
Nov. 7, 1987
Henry J Kaiser Convention Center

Brisk, optimistic, and bubbling with noodlage

Comments

Bertha
April 27, 1971
Fillmore East

I would’ve too… had I grown up
Beat it on Down The Line
Jan. 13, 1978
Arlington Theater

Vora City!
Drums
June 9, 1977
Winterland Arena

Packet of '77 concentrate
Candyman
March 31, 1987
The Spectrum

Always love the flurries of notes to echo the lyrics in the last chorus, and this one delivers that, too.
Promised Land
Sept. 18, 1990
Madison Square Garden

In a way the song didn’t end, as the Garden was rocking (literally) and the thumping conclusion kept playing in my head while the vibrations pulsed through my body for ten minutes into the break. Sort of like being wobbly yet thrilled after a carnival ride… well yes, it was that too! Happily, I still haven’t recovered from this Promised Land – or the show, which was my favorite of the run (I was fortunate and thankful for mail order success for all six). I fire up this vid fairly regularly to help relive the memories. There’s an excellent article in the New York Times (Hunting for the ‘Promised Land,’ Haunted by Chuck Berry 9/11/17), and the author puts forth some erudite interpretations which are likely to increase your appreciation of the song. Included is a Chuck video of the song, complete with duck-walk strummin’, matching the author’s opening point that the song is “all about motion.” To me, when the Grateful Dead played this song, there was always both a certain reverence connected to the roots of rock and roll and the celebratory rapture of the live moment – that no one could sustain longer than the Dead. Having just enjoyed the Chuck Berry version, it’s time to check in with 9/18/90 to further refresh that eternal motion. Amen.