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1
Candyman
Oct. 30, 1977
Assembly Hall - Indiana University

Keith stands out on this crystalline version. A stunning performance as the band is completely in synch with each other. Watch out for that solo too.
1
They Love Each Other
Oct. 30, 1977
Assembly Hall - Indiana University

Lovely version with a really great Keith solo, Jerry’s solo right after is equally as moving. Don’t miss this one.
1
Samson and Delilah
Sept. 29, 1977
Paramount Theatre

Played with a real sense of urgency. Bobby growls away as Jerry explores a new approach to his soloing. This is a scorcher.
1
Goin' Down The Road Feelin' Bad
Sept. 29, 1977
Paramount Theatre

Jerry plays away his sorrows on top of the rhythm devil’s swinging beats. Sweet as can be with some real magical energy here.
1
Feelin' Groovy Jam
March 16, 1973
Nassau Coliseum

First ever in a China>Rider pairing. Makes for some wonderful music to start off this stellar show.

Comments

Dark Star
May 24, 1970
Hollywood Music Festival

A serious sense of urgency within the first few notes of this Dark Star. This triumphant worm hole opening piece of music ensues as they band enters this portal and sends this Dark Star crashing down upon the audience. From the ashes we get a heroic return to curious and powerful realms that leads into a seamless Tighten Up sequence that showcases the bands unrelenting drive. I wish there was footage for this but I think the cameramen were dosed too hard for this segment. Really great hard rocking Dark Star that gets where it needs to. Also nice Dancin tease as well!
Dark Star
May 24, 1970
Hollywood Music Festival

Posted twice sorry
Dark Star
April 14, 1972
Tivolis Koncertsal

My previous comment does not do this Dark Star justice. This fantasy suite takes us on a trip to Elysium, where the band explores this landscape of sky high mountains and valleys with grand waterfalls, this jazzy exploration leads into some of the more beautiful spaces the band have come across up until this point. Keith plays some notes that really show his wonderful avant garde surrealist nature, turning this earthy Dark Star into one of Salvador Dali’s paintings. I really love that when Jerry tries to signal back to the main theme Bobby, Keith, and Phil keep exploring these new mysterious spaces that take a peak behind the veil where we are greeted in the land of mythology and wonder. The delicate space showcases everyone’s limitless imagination, showing that they can take this Dark Star and create their own universe within each soundscape. I also love that Billy sits out for about 3-4 minutes as he lets the string instruments explore their space. This is what makes a great drummer, the silence from the percussion as the strings continue to create magic showcases Billy’s mastery of when and when not to play. After the verse, the band gets into this almost tribal sounding jam, that calls back to melodies and rhythms that feel encoded in our DNA. At this point, Phil absolutely just pops the fuck off. Going in so many different directions at once, and eventually locking in with Jerry as he leads the band into the next jam, which leads into one of the most powerful Feelin’ Groovy of the tour. How seamlessly the entire band falls under this stream of conscious and flows into the well of infinite possibility, and Phil realizes he can truly do whatever he wants, no constraints, and dictates the jam going in and out of the theme before going into deep space. My only wish for this Dark Star was that the feedback swirling trapeze space section before Sugar Magnolia was longer(sorry Grendel) but I love myself some brain dissolving noises. While it would’ve been great, I also love that it was almost like Bobby and the band were saving Jerry from going too far into that dark nihilistic space, and the move into Sugar Magnolia really cleans the mind after a spiritual exercise like that Dark Star. Intensely beautiful, with wonderful moments of innovative jazzy jam segments.
Looks Like Rain
April 14, 1972
Tivolis Koncertsal

Really stunning organ work by Pigpen. Perfectly blends in with mellow sunset vibes this version has. Melodramatic with a touch of fae magic that makes this whole version so magical. A beautiful palette cleanser before an incredibly spiritual and beautiful Dark Star. Like entering an enchanted garden, and coming across a forest that filled with mythology and explorations.
Hurts Me Too
April 14, 1972
Tivolis Koncertsal

Saturn’s blues. A perfect performance of Pigpen undeniable feeling and love for the blues, and the cosmic energy that the band produces as they play, conveying their own blues through a new lens. I always love their cover of this tune, really great arrangement that shines brightly this cold night in Copenhagen.