Jerry’s solo is off the walls crazy. A train going top speed and I promise that train won’t slow down! Great energy here overall.

As Jerry shouts, “You know he had to die.” BANG! A massive gunshot right on rhythm. Great reprise with great drum work from Billy and Mickey.

Jerry takes off and soars. Gets really heavy, and out there FAST. Experimental passages and new themes explored. This is what the Dead do best.

Billy and Mickey flowing in and out of the main TOO rhythms. They’re both putting each other to the test as they really get deep in this one.

“At this risk of being repetitious we’re going to do another song in the key of G.”-Bob Weir. This version is quite sweet. Patchy audio, great version

Just plain fun. As a show opener, this sets the tone for the entire show quite nicely. Big River is one of my favorite tunes that they do and when they get it right, it's an utterly brilliant showcase of the bands musicianship. We also get THREE Jerry solo's that comes crashing in like a riptide. Jangly, rockin', and loose. Everything a Big River should be.

Gun slinging Jerry is my favorite Jerry. Phil also happens to be all over this one, adding the perfect backdrop for when they enter the barroom and order drinks for all. Jerry is a truly deadly picker on this one, with each lick you can hear gunshots ricochet past your head. Will never get enough of this version. Bright and full of pure energy.

Duane and the Dead. Cannot get better than this. Duane soars like an eagle, showing the true definition of a trailblazer. He plays through the changes with such vigor and confidence, especially when they hit the turnaround, Duane knew exactly where to take the music. Hadn’t listened to this one in a while and it really makes me happy hearing Duane so clearly on this. Awesome, awesome version with infectious energy.

Gets into some serious The Eleven territory but never quite reaching the actual melody, but it does leave a lot to the imagination. You can hear the hard hitting beat being laid down by the rhythm devils that make The Eleven so special. A post hiatus Eleven certainly could’ve been possible especially since St Stephen got repurposed. It would’ve gone cosmic and spacey, wouldn’t have happened often due to the intricacy of the tune, but that’s why we have Help>Slip. But enough of the “what ifs” it’s fun to theorize but at the end of the day, we have an absolutely transcendent Truckin jam that goes into a rhythmic frenzy. Awesome version with Jerry once again showing how incredible of a musician he is to play on top of and lead this swirling jam.

This is what I imagine entering through a black hole must feel/sound like. Soundwaves of pure destruction and a total annihilation of any and all senses. Very extraterrestrial in nature. Antimatter music. Jerry plays his own devil's trill sonata at the end, attempting to play what the devil showed him in his dream. The transition into Playin' is the stuff of LEGENDS.