headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

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Submissions

1
Beat it on Down The Line
Sept. 3, 1972
Folsom Field, University of Colorado

Jerry’s solo is off the walls crazy. A train going top speed and I promise that train won’t slow down! Great energy here overall.
1
Cryptical Envelopment
Nov. 11, 1970
49th Street Rock Palace

As Jerry shouts, “You know he had to die.” BANG! A massive gunshot right on rhythm. Great reprise with great drum work from Billy and Mickey.
1
The Other One
Nov. 11, 1970
49th Street Rock Palace

Jerry takes off and soars. Gets really heavy, and out there FAST. Experimental passages and new themes explored. This is what the Dead do best.
1
Drums
Nov. 11, 1970
49th Street Rock Palace

Billy and Mickey flowing in and out of the main TOO rhythms. They’re both putting each other to the test as they really get deep in this one.
2
Uncle John's Band
July 11, 1970
Fillmore East

“At this risk of being repetitious we’re going to do another song in the key of G.”-Bob Weir. This version is quite sweet. Patchy audio, great version
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Comments

Dark Star
Sept. 2, 1968
Betty Nelson's Organic Raspberry Farm

Right up there with 10/12/68 for me. This is a living thing, a mycelium based organism. As the listener, you go through the process of decay. Being returned to the ground as a gift to the endless cycle of life. Spores release into the land and mushrooms sprout to continue the cycle of life and death and helping the ones that were once living, pass on their life force into nature to start anew. This is the start of a particularly intense psychedelic experience.
The Eleven
Sept. 2, 1968
Betty Nelson's Organic Raspberry Farm

This is an instense, very serious ride. Tread lightly, heavy lysergic pantheonic jamming. Seriously though, I’m freaking out, this is next level good.
Samson and Delilah
May 28, 1977
Hartford Civic Center

Jerry is in full combat with the lion. GREAT GOD ALMIGHTY TALK TO ME!!!
Playin' In The Band
Aug. 12, 1972
Sacramento Memorial Auditorium

It’s Keith time baby. I wish Keith was always this high in the mix because, wow. This is the soundtrack to the Apocalypse. Around the 9:40 mark Keith is literally proving right then and there that telepathy is real. His intuitive nature pushes the band into very malevolent chaotic realms and shoots you right into the heart of a dying star. This is really the first Playin’ out of Europe that seems like it’s finally developing a new sound. Chaos Magik in sound.
Mason's Children
Jan. 2, 1970
Fillmore East (Late Show)

Encapsulates the free spirited nature of the band during this time. Jerry is feeling particularly loose possibly because of Lucy, and the solo in particular feels lysergic too. Awesome version from a very awesome show.
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