headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

yeller dawg

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Submissions

1
Drums
Dec. 10, 1972
Winterland Arena

Supercharged Billy at the helm deconstructing and building layers of structure like a master architect. Some of his most inventive fills put to record
1
Me and My Uncle
July 16, 1972
Dillon Stadium

Notable for coming straight out of Cumberland and the alternate lyrics “And I Grabbed the Bottle, Grabbed Him in the Jaw” A cowboy classic.
1
Promised Land
Aug. 5, 1974
Philadelphia Civic Arena

Firing on all cylinders right out the gate. I'm certain Jerry's fretboard caught fire after that first solo. Impossible not to groove to.
1
El Paso
Dec. 4, 1971
Felt Forum, Madison Square Garden

Delicate. Like a last waltz of the cowboy and his love, with each lick from Jerry conveying the urgency of the story. Keith makes such an impact here.
1
Cumberland Blues
Dec. 4, 1971
Felt Forum, Madison Square Garden

Part of the beginning is cut off, but that doesn't stop this train from rolling on down the mines. Short and sweet.
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Comments

Playin' In The Band
July 21, 1974
Hollywood Bowl

Apocalyptic in nature this version is filled with rays of violet that envelope the brain with mind altering information. Electric blue, an Archaic Playin’ that’s pure psychedelic wind. Super great transformative Playin’.
Playin' In The Band
Feb. 22, 1974
Winterland Arena

Tranquil and wonderfully free. Stellar ideas and electronic ramblings. The slipknot teases sound like a dire wolf traversing through a dark and twisted forest. This is really good.
Casey Jones
May 13, 1972
Lille Fairgrounds

Very cohesive version with lots of great dynamics. 72 is so good.
China Cat Sunflower -> I Know You Rider
May 13, 1972
Lille Fairgrounds

Confident and powerful, the Europe 72 mojo is on full display here, wonderful inventive ideas played with grace and ferocity. Nice grit from Bobby’s guitar too!
Caution
Aug. 3, 1969
Family Dog at the Great Highway

Gets weird FAST, hold on to your soul and make sure you have the lights dimmed low for this. A meltdown for the ages reminiscent of Coltrane’s later years and his exploration of sound. Saxophone atonal music with creepy staccato lines from the fiddle and crystalline keyboard playing to top off, this gets deep into the psyche and explores many deep realms of music. Keep an open mind. One of my new favorite dead recordings.
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