headyversion

find the best versions of grateful dead songs

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TheFool

almost ablaze

+909


Submissions

1
Let It Rock
Sept. 6, 1989
Nassau Coliseum

Gutbucket Chuck funk
1
Gomorrah
Sept. 6, 1989
Nassau Coliseum

Gutbucket w/amazing backup vox
1
Sugar Magnolia
April 14, 1985
Irvine Meadows

Sweet Magnolia Daydream - flawless version
2
Gimme Some Lovin'
Nov. 21, 1985
Henry J. Kaiser Convention Center

Wailin' B-3 Paradise
2
Jack Straw
April 4, 1984
Providence Civic Center

One of the marks of a great jack Straw is when jerry does those guitar fills around Bob's vocals. Jerry nails that here.

Comments

Tennessee Jed
Sept. 17, 1972
Baltimore Civic Center

Diggin' in is right. First Jerry digs your grave scoop by scoop with each note he plays during the verses then he lays you down in the hole and buries you back under the dirt until you are well and truly Dead. Also: I been diggin' it. This is one diggity dank Jed.
Scarlet Begonias -> Fire On The Mountain
July 1, 1985
Merriweather Post Pavilion

This is the best Scarlet-Fire I've ever heard both in-person and recorded. 7-1-85 blows away both Copps and Cornell without a shred of doubt.
Scarlet Begonias -> Fire On The Mountain
March 22, 1990
Copps Coliseum

I like 7-1-85 Scarlet-Fire but this one is a rocker too.
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Sorry but this is just another example of the massively overrrated 5-8-77 which some have made part of their religion. Personally, I'm an empiricist and I go with the evidence, and the evidence clearly shows that 7-1-85 is far, far superior to this Cornell version. Don't get me wrong: the Cornell version is a very nice piece of music. But 7-1-85 is far better on every dimension: better, more articulated jamming, better vocals, and better guitar tone from Jerry. Just a much more interesting version on 7-1-85 than on 5-8-77. But, hey, if you like to go along with the crowd and you think the conventional wisdom is where its at then your mileage may vary.
Crazy Fingers
March 21, 1990
Copps Coliseum

the vocal harmonies are tight, Jerry's got the feeling, Brent is killing the keyboards again as he was wont to do that Spring, and Phil is rockin' the bass