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grendel

Books and Music

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Submissions

42
Ramble On Rose
May 19, 1977
Fox Theatre

Gorgeous, incredible, up and down, carnival-like bridge jam by Jerry. Picture perfect version--no flaws
43
Scarlet Begonias -> Fire On The Mountain
April 8, 1978
Veterans Memorial Coliseum

April '78 S>F's often mentioned are 4/16 and 4/24 (rightly so) but this one is every bit as good. Superior transition jam--, beautiful, & powerful
94
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

Starts out Jazzy, explorative, takes its time, 3 minute intro, then blasts off into the stratosphere with intense Garcia-led jamming

Comments

China Cat Sunflower -> I Know You Rider
Dec. 29, 1977
Winterland Arena

Rock on, Dannydread...glad we're all enjoying the ride ;-)
Feelin' Groovy Jam
Oct. 2, 1972
Springfield Civic Center

Simply stunning portion of music that's only a little bit of Feelin Groovy but a whole lot of awesome coming out of the NFBM section. One of those just exactly perfect bridges of music that occurs spontaneously and could be done by no one but The Grateful Dead. Way under the radar stuff here that needs more ears.
Eyes Of The World
Nov. 17, 1973
Pauley Pavilion - University of California

Light and airy with a free flowing liquid jazz line throughout, but the bonus, as mentioned, of a really tight outro section. I'm more impressed with this section of the show, with this Eyes as the highlight, than I am with the more popular UJB>Playin section.
Eyes Of The World
Feb. 15, 1973
Dane County Coliseum

I have to agree with Summerraven that while the beginning segments of this version are lovely and flowing and as pretty as any the band has ever performed the outro material really drags and it's understandable, given that this song is barely on its feet live at this point. I'm OK with it being a top 15-20 version but not in the top 10 for that reason.
Wharf Rat
April 22, 1978
Nashville Municipal Auditorium

A few more spins via the DaP release has made me a believer. Well sung by Jerry but also the band as a whole is punctuating all the right benchmarks, hitting a heavy flourish after a particular line and dialing back when needed just so. There's also a run of notes Jerry plays in one of the big jam sections about 8 minutes in that's unique to any version I've heard. Definitely deserves its high ranking here. In other words, I've changed my tune on this version.