Lucky enough to be at this show. Candyman blew everyone away--best song played that night. Awesome trippy guitar jam &Jer belts out vocals

Gorgeous, incredible, up and down, carnival-like bridge jam by Jerry. Picture perfect version--no flaws

April '78 S>F's often mentioned are 4/16 and 4/24 (rightly so) but this one is every bit as good. Superior transition jam--, beautiful, & powerful

Starts out Jazzy, explorative, takes its time, 3 minute intro, then blasts off into the stratosphere with intense Garcia-led jamming

Yes indeed...I was pumped about the boxed set mostly for 5/13 and 5/17 but was more than pleasantly surprised by 5/11..I'll still put the Sugaree from that show up against any of the monsters from that year or any other.

Great rendition, extra points for St. Paul getting props in St. Paul

Hidden gem alert, from a show that's beautiful and shy and gets little attention due to its more famous sibling just 2 days prior, but wow! This Sugar Mag might just be THE best of the June '76 shows, and that's saying something. It's got to be the most intense mellow jam I've ever heard on this tune, if that makes any sense. Jerry's guitar just floats notes on a string and it rolls along innocently beautiful and then the jam just takes off after the last verse and charges headlong to a great finish while never losing its laid-back vibe. It's kind of like everything that's great about 1976 encapsulated in this one tune & it needs to be checked out and bumped way up. And you get the added bonus of it going into a sweet Eyes before rounding back to Stella & then the SSDD coda. Terrific version that surprised and delights all at once.

A fair point, re: being there. I was not, and I'm just going by what I'm hearing here, but I do think that when recommending "best of" versions we should all make an effort to be as objective as possible. As an example, I posted the March '86 "Box" as a heady version but made sure to say that objectively speaking it's really not a great version at all, but being there, as I was, and the crowd reaction to the break-out, makes it worthy for only that reason. I am not doubting anyone who was there that seeing this must have been an awesome experience, but if you were to recommend a version of Iko to someone out of the blue as a "here's the best Iko you can find", there's no way if you're honest this version can qualify, and yet here it stands in first place. I guess that annoys me, but hey, differing opinions is part of what makes this site so much fun.

I don't know, folks. #1 slot? Seriously? Look, I'm not trying to be a contrarian & there's some stuff here to like, i.e. yes, Jerry's having fun & the vocals--for 1995 anyway--are OK. But what's really so great here? The jamming is pretty one note, never really hits any peaks, & look, I just can't stand the MIDI...it's like what a computer thinks a horn is supposed to sound like, and it completely covers up any personal tone of Jerry's guitar in favor of a synthesized, non-nuanced monotone of notes. I'm not saying this is a "worst ever" version by a long shot...it's OK compared w/some others, but if you want a fast. rocking, full-throated New Orleans type of version, why not check out any of the ones they did with the Neville Brothers? In fact, try 12/31/87 which is sitting currently at one sad little vote but kicks this version in the teeth just for fun. Some of the late 70's versions are also way better than this, even if they're of a slower tempo and maybe that's apples and oranges, but how about some of the early 80s versions that wind up slowly out of space and have a better groove than this version ever could. I wouldn't be ranting like this if this were somewhere in the middle of the pack on voting but #1? Just. Not. Worthy.